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FADE IN Right where we left off. West starts toward the prostrate, bloodied Ned Brown when a great black form LEAPS, SNARLING from the brush at West's neck. The two crash to the ground. West's head strikes a rock and he's instantly unconscious. From OS two shots are heard, and the black form races away into the night, leaving an unconscious, but living West behind. FADE TO BLACK
FADE IN WEST'S POV -- CLOSE UP OF LOVIA West has awakened to see Lovia standing over him. Quick scan shows Howell, Ann, Gillig, Hinkley, Thurston (nursing a drink), and Helen behind her. It takes a moment or two for West's vision to clear....
INT -- LIVING ROOM -- NIGHT The rest of the room's occupants have noticed that West is back among the conscious. West sits up carefully, noticing that one of his forearms has been bandaged. WEST LOVIA West gingerly checks the lump on the side of his head- suddenly he remembers the whole thing. WEST HOWELL A moment or two passes as that bombshell sinks into West's head. He manages to put it aside for now and is once more all business. Thurston pours West a drink and brings it to him. West stands carefully and accepts the drink. WEST LOVIA GILLIG THURSTON Ann gasps at Thurston's assertion. WEST (turns to HELEN) HELEN HINKLEY HELEN LOVIA THURSTON WEST HELEN HOWELL ANN THURSTON ANN <dramatic pause> LOVIA WEST West checks the lump on his head again for effect. WEST (CONT'D) West takes his leave once more and heads back up the stairs slowly, noting that HOWARD has picked up his shotgun and heads for the front door right after him. A few [BEAT]s later Gillig follows West up the stairs.
INT -- WEST'S ROOM -- NIGHT West enters his room, closes the door then opens it a crack and spots Gillig feigning nonchalance at the top of the stairs. West secures the door, then moves to the window. A SINISTER FIGURE in the brush confirms that his window is being watched. West casually closes his window, while carefully removing the winch and peton from the sill at the same time. He then pockets the winch and peton, closes the curtains and extinguishes the light. Time to play a waiting game. West lies down carefully on the bed and closes his eyes
BACK TO LIVING ROOM Now present are Lovia, Hinkley, Helen, Ann, and Thurston. We join them in mid conversation: HELEN ANN <pause> HINKLEY LOVIA HINKLEY LOVIA THURSTON Lovia completely ignores the snide answer. Helen says nothing, perhaps having second thoughts about their plan. ANN THURSTON LOVIA The conspirators start to rouse themselves, conspiratorially, of course...
INT -- PAN OF THE MANSION -- NIGHT Pan shows no one about, except for Gillig who still has his post on the stairs. A swift hammer-punch from behind dispatches Gillig and West is down the stairs and out the door, the model of stealth. Not a creature stirs in the The Mansion -- West may have gotten away without being seen.
FADE TO EXT -- STORMY WILDS OF SABATINI ISLAND -- ESTABLISH Forever night here
FOLLOW WEST West is making a bee-line back to the house he and Brown spotted near the cliffs before Brown's unfortunate accident.
EXT -- SERVANTS' OR STAFF HOUSE -- NIGHT West makes his way carefully up to what appears to be a VERY old home, and its size suggests it belonged to some of the menial help on Sabatini Island. (Cobblestone in construct, with the roof in severe disrepair.) West draws his derringer and enters the ancient building carefully
INT -- SERVANTS' OR STAFF HOUSE and begins examining the premises. The interior is a shambles as if violently ransacked, but not necessarily in the recent past. West is practicing serious caution. Suddenly he's jumped by our friends the black-hooded gunsels! MAJOR 'JIM WEST AND FOUR GUNSELS' FIGHT SCENE. 1-2 MINUTES. JIM WINS West finishes the last one off when around the corner comes
ANOTHER ANGLE Howell Wentworth, shotgun aimed at West. There's an uncomfortable moment as the two look at one another, then Howell lowers the gun. HOWELL WEST HOWELL WEST HOWELL Howell follows West and the two wind their way carefully through the dark building, searching here, and there
SINISTER ROOM WITH FLOOR TRAP-DOOR until they finally come to a trap-door in the cobblestone floor of a somber room. The room's original purpose is unclear but it's fairly large and currently rather empty. West grabs a scrap of wood lying next to the trap door, wraps some old cloth around it and lights his makeshift torch. As the light comes up, Howell and West exchange a quick glance, and Howell slowly raises the burdensome trap-door. He holds it for West and West lowers his head and torso - along with the torch - into the pit opening.
PIT INTERIOR -- WEST'S POV As the torch offers up some illumination, West starts to see some of the detail: it appears to be an old cellar, about 15' deep. The stairs which once led down to the bottom have long since disintegrated. Lying directly below is an identical piece of firewood to that of which West made his torch. HOWELL West moves the torch to the right, and spots long-dead human remains. WEST Howell blanches and starts to respond. Suddenly a shot SOUNDS from OS, and the trap-door comes screaming down at West. West launches himself headfirst into the pit along with the torch as the heavy door just misses crushing him.
INT -- PIT -- WEST'S POV West makes his feet and looks up -- the trap-door opens again and Lovia's head appears in the opening, a feminine single-shot derringer aimed at West. She's clearly surprised at West's survival, despite her best attempt to cover. LOVIA WEST LOVIA The door slams shut, leaving West in near darkness with the remains of Mr. Schwartz FADE TO CLIFFHANGER
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END ACT THREE
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